Magma 95, Architecture, edited by Leo Boix and Stav Poleg
—–At the end of my suffering
—–there was a door
—–—Louise Glück, The Wild Iris
In our call for submissions, we asked for poems concerned with space, place and structure. We invited poems that consider architecture as their subject and method, and sought pieces that engage with the physical and imagined realms of architecture, the spaces we inhabit, traverse, or dream into existence. In response, we received hundreds of poems addressing different forms of grief, loss, and deep fear and uncertainty. Perhaps it was inevitable: as in Glück’s The Wild Iris, our deepest, most difficult feelings often seek physical manifestation. From Magma 95, Editorial.
Audio Features
Selected Poet: Naomi Madlock
Poetry and Architecture: Collaborative Poem
Poems
| Lucy Allsopp | Boundary |
|---|---|
| Alice Willitts | Technical considerations for fitting a solar panel on your heart |
| Rebecca Goss | The Windowsills |
| Isla Husain | Ice Cave Tour |
| Matt Howard | Olduvai Chopping Tool |
| Michael Bazzett | If Something like a Box |
Articles
| Magma 95, Editorial | In our call for submissions, we asked for poems concerned with space, place and structure. We invited poems that consider architecture as their subject and method, and sought pieces that engage with the physical and imagined realms of architecture, the spaces we inhabit, traverse, or dream into existence. |
|---|---|
| Private memory and public myth, from Ctesiphon to the Cam | Architect Rebecca Wober explores the links between private memory, poetry and architecture: |
| The house’s dream of itself was at its grandest downstairs | In each issue we ask a contemporary poet for a piece which draws inspiration from another poet’s work. For the Architecture issue, Laura Scott responds with a poem inspired by a building, specifically her childhood home. |


Supported by Arts Council England