Andrew Neilson reviews Zohar Atkins, Angela Kirby and Penny Boxall
From Magma 75, Loss Read the review here: Andrew Neilson reviews Zohar Atkins, Angela Kirby and Penny Boxall
Alice Hiller reviews Rachael Allen, Mona Arshi and Gerry Loose
From Magma 75, Loss Read the review here: Alice Hiller reviews Rachael Allen, Mona Arshi and Gerry Loose
Shivanee Ramlochan reviews Niall Campbell, Rebecca Tamás and Helen Nicholson
From Magma 75, Loss Read the review here: Shivanee Ramlochan reviews Niall Campbell, Rebecca Tamás and Helen Nicholson
Review: ‘A Man’s House Catches Fire’ by Tom Sastry
A man's house catches fire. A title poem. What kind of fire is it? At first, the man thinks the smell of smoke is “just me going off my head// which I have learned to expect”, but the fire continues…
Twenty Years of Reviewing for Magma
Twenty years ago I wrote my first review for Magma, in the autumn 1999 issue (Magma 15, for those counting). Little was I to know that two decades on I would still be reviewing for what has become something of…
Jennifer Wong reviews Gale Burns, Fiona Benson and Joolz Sparkes & Hilaire
From Magma 74, Work Read the review here: Jennifer Wong reviews Gale Burns, Fiona Benson and Joolz Sparkes & Hilaire
Rob A. Mackenzie reviews Richard Gwyn, Jane Yeh and Steafán Hanvey
From Magma 74, Work Read the review here: Rob A. Mackenzie reviews Richard Gwyn, Jane Yeh and Steafán Hanvey
Laurie Smith reviews Jamie McKendrick, Peter Bennet and Theresa Lola
From Magma 74, Work Read the review here: Laurie Smith reviews Jamie McKendrick, Peter Bennet and Theresa Lola
Jade Cuttle reviews Jane Routh, Samantha Walton and an anthology of Somalian poets
From Magma 74, Work Read the review here: Jade Cuttle reviews Jane Routh, Samantha Walton and an anthology of Somalian poets
Marina Dora Martino Reviews ‘Girlhood’ by Julia Copus
Girlhood is an anthology of objects and ephemera – hallways, windows, televisions, shadows, bonfires, the hissing of rain. They are not a chaotic congregation, but rather nexuses of a convoluted poetic neurosystem. Julia Copus’s multiple narrators, who share an urgent,…
Supported by Arts Council England