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[SUBMISSIONS NOW CLOSED] Call for Poetry Submissions: Magma 45 ‘Telling Stories’

I’m thrilled to be editing Magma 45, and have decided to ask for poems on the theme of ‘Telling Stories.’ As a poet who has written plays, as well as a screenplay that never got made (a rom-com about a psychic that I still feel would have been a surefire hit…) I’m currently very interested in the way we tell stories through poems – cuts, flashbacks, unreliable narrators, twists. Many playwrights believe in cutting everything that doesn’t drive the story forward, and, though poetry has always been more tolerant of digression, it is always interesting to think about what we should include (and edit out) of our tales. For example, should poetic scenes obey the screenwriting adage: ‘arrive late, leave early’? The theme also comes out of my own obsessions at the moment. I’m currently deeply into folk music – particularly ballads and the strange, subversive tales they tell. I’ve been listening to Fairport Convention and new-folk songbirds like Laura Marling, digging out my dog-eared Collected Yeats, and discovering the wonderful world of the Child and Border ballads. This has led me to write ‘cover versions’ of old poems such as ‘Twa Corbies’ and ‘Reynardine’, and liberally raid what Larkin rather dismissively called ‘the myth-kitty’ to rediscover stories of Zennor mermaids, malevolent faeries, werefoxes and witchcraft. I’d love to read your own attempts to engage with these ancient, oral traditions. Finally, I’ve also chosen the theme because I feel too much contemporary poetry is self-indulgent – concentrating on self-expression to the point where it forgets it has an audience. I feel strongly that, even if our subject matter is deeply personal, we should always be aware we have responsibilities to our reader – to give them everything they need to understand the poem; to entertain; to tell them something new. Great storytellers know how to keep us engaged, leaving space for the reader to make their own interpretations – as my favourite philosopher, Hannah Arendt, said: “Storytelling reveals meaning without committing the error of defining it.” So the search begins for sparkling anecdotes and tall tales… Only remember the sign pinned above Anne Sexton’s desk: WHATEVER YOU DO, DON’T BE BORING. The deadline for submissions is 15 July. 'Off theme' poems will also be considered. Please see the Contributions page for details of how to submit your poems.
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Magma 43 Launch Reading — 2 March with Glyn Maxwell and John Stammers

Here's a date for your diary -- 2 March at The Troubadour, Earl's Court, for the launch reading of Magma 43, edited by David Boll and Andrew Neilson. We are delighted to welcome two distinguish guest readers: Glyn Maxwell, whose poetry collections have attracted awards including the Geoffrey Faber Memorial Prize (for The Nerve, 2004) and whose latest collection, Hide Now, was shortlisted for the 2008 T.S. Eliot Prize; and John Stammers, whose first collection Panoramic Lounge Bar won the Forward Prize for Best First Collection (2001), and whose second, Stolen Love Behaviour, was a Poetry Book Society Choice. Regular Magma readers will also recall the terrific issue John delivered for us as guest editor of Magma 31. The launch will also feature readings by many other poets published in Magma 43, The reading will start at 8 pm sharp, at The Troubadour Coffee House, 265 Old Brompton Road SW5 (near Earl's Court Tube). Tickets are £6.50 / £5.50 concessions.
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Jen Hadfield Wins the TS Eliot Prize

  • January 18, 2009
  • News

Warm congratulations from the Magma team go to Jen Hadfield on winning the TS Eliot Prize for Poetry for her second collection, Nigh-No-Place. As might be expected, given the high regard for this prize, she won it against very tough…

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