Tom Branfoot reviews Ali Lewis, Martin Figura and Caroline Bird
From Magma 91, In The Flesh Read the review here: Tom Branfoot reviews Ali Lewis, Martin Figura and Caroline Bird
Laurie Smith reviews Michael Longley, Clementine E Burnley and Hannah Copley
From Magma 91, In The Flesh Read the review here: Laurie Smith reviews Michael Longley, Clementine E Burnley and Hannah Copley
Magma Poetry Competition 2024/25 — Winners Announced
We are delighted to announce the winners of our 2024/25 Poetry Competition Magma holds two poetry competitions each year: the Judge’s Prize for poems of 11 to 50 lines, which was judged this year by Amy Acre, and the Editors’…
Magma Selected: Catherine Redford
Magma Selected highlights a single poet who is emerging or whose work deserves to be better known, allowing us to publish a wider selection of poems. Our Selected Poet for Magma 91 is Catherine Redford and we are delighted to…
[SUBMISSIONS NOW CLOSED] Call for Submissions: Magma 93
UPDATE Fri 4th April: Our submission limit for submitting to Magma 93 'Liberation' on Submittable has now been reached. We are able to accept postal submissions as long as they’re postmarked 5 April at the latest. Please follow instructions below…
Selina Rodrigues reviews Rebecca Goss, K Patrick and Laurie Bolger
From Magma 90, Grassroots Read the review here: Selina Rodrigues reviews Rebecca Goss, K Patrick and Laurie Bolger
Andre Bagoo reviews Ilaria Boffa, Sean O’Brien and Safia Elhillo
From Magma 90, Grassroots Read the review here: Andre Bagoo reviews Ilaria Boffa, Sean O’Brien and Safia Elhillo
Jessica Traynor reviews Kwame Dawes, Milena Williamson and Neetha Kunaratnam
From Magma 90, Grassroots Read the review here: Jessica Traynor reviews Kwame Dawes, Milena Williamson and Neetha Kunaratnam
Matt Merritt reviews Rachael Allen, Yvonne Reddick and Imtiaz Dharker
From Magma 90, Grassroots Read the review here: Matt Merritt reviews Rachael Allen, Yvonne Reddick and Imtiaz Dharker
[SUBMISSIONS NOW CLOSED] Call for submissions: Magma 92, Ownership
The British artist Michael Landy once destroyed everything he owned – toothbrush, love letters, his dad’s old sheepskin coat, all 7,000 items he owned – as part of his performance artwork ‘Break Down’. Catharsis? Personal sacrifice? Or an examination of…
Supported by Arts Council England